For the redraft of my music video, I have decided to go for a music video based around bikes and their movement. This leaves a lot of room for stylisation of the video to fit the song, as well as timing and direction to fit to the beats. Its also a simple, easy to follow idea, which is better for both viewing and creating. Additionally, this type of video means that I don't necessarily have to follow the genre style for the people in it, so it will be easier to find people willing to do the video. An example of this kind of video is 'What's a Girl to do?' by Bat for Lashes.
George Garrity's A2 Media Blog
Friday, 10 November 2017
Friday, 3 November 2017
Friday, 27 October 2017
The Music Video Moving Forward
Following the creation of my music video draft, I have decided to completely redo my video for the next draft. The video's location, lighting and feel do not fit the genre or the song. The equipment was also not suitable for the video, as my tripod was too short for the subject, thus leading to some of the framing issues that led, in part, to the failure of the video. Thus, before my next draft, I will need to choose a new song (potentially researching the genre if it differs from the first) and plan for an entirely new video.
Thursday, 19 October 2017
Tuesday, 17 October 2017
Second Draft Idea
For the second version of the video, I have decided to use the disjunctive technique of using a subject that isn't the vocalist to sing it, thus avoiding the issue of not having subjects with the correct stylings. This technique famously started in the video for George Michael's Freedom.
To avoid the location, instrument and budgetary problems, I have also decided to put it in the style of coffee scene in Baby Driver, with it being focused on one figure, moving to the music.
I also wish to channel more of Edgar Wright's work, with the snappy direction which matches up the the music, illustrating it perfectly. A brilliant example of which is his video for Mint Royale's Blue Song.
To avoid the location, instrument and budgetary problems, I have also decided to put it in the style of coffee scene in Baby Driver, with it being focused on one figure, moving to the music.
I also wish to channel more of Edgar Wright's work, with the snappy direction which matches up the the music, illustrating it perfectly. A brilliant example of which is his video for Mint Royale's Blue Song.
Reasons for Re-Drafting
I have decided that my current video idea isn't going to work. One reason that I have come to this conclusion is the lack of a viable location to shoot on, especially within the school or for a reasonable price. The budgetary constraints also means that instruments would be hard to get a hold of. Another key factor in my conclusion is the lack of people who would fit the style of the genre, which would make the video seem off. Hence, I will be doing a second idea and storyboard of the video.
Friday, 13 October 2017
Monday, 9 October 2017
Album Cover Draft Ideas
The first idea is an illustrated cover, similar to many indie EPs and singles, like Slaves (originally) or The Wytches. However, I feel that this has not translated well to my cover as it looks tacky, partly due to me being unsuccessful in mimicking that kind of style in my doodles.
The second idea is this hyper-stylised image of a hand, giving the illusion of it being bloodied (matching the band name). The style of it also reminds me of some of the Queens of the Stone Age's album covers, in both colouring (similar to Songs for the Deaf and ...Like Clockwork) and the posterized look (Lullabies to Paralyze). Ultimately I prefer this cover as it works better than the illustrated one.
The second idea is this hyper-stylised image of a hand, giving the illusion of it being bloodied (matching the band name). The style of it also reminds me of some of the Queens of the Stone Age's album covers, in both colouring (similar to Songs for the Deaf and ...Like Clockwork) and the posterized look (Lullabies to Paralyze). Ultimately I prefer this cover as it works better than the illustrated one.
Sunday, 8 October 2017
Glasgow Kisses Official Video
During the pre-production of my music video, Estrons released their official video for the same song. I personally find this video poor, with it being disjunctive to the themes and lyrics. The lipsyncing is poor as well, with some segments being sung too fast due to breaks being skipped or shortened. The video also slows down during the heavier and faster bits of the song, making the video feel somehow off. Despite this, the video does have some perks, with its beautiful film effect and stylings of the lead singer. Ultimately this video has had no impact on the production of my version, as I personally find it rather poor.
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